Mp3 music: Bad Livers

Artist: Bad Livers: mp3 download    Genre(s):  Other     Bad Livers's discography:      Dust on the Bible    Year: 1994    Tracks: 11 The clubs of Austin, TX, proven to be fat ground in the 1990s for bands with eclecticist musical influences, only the Bad Livers whitethorn possess been the least-categorizable ensemble of all. The trio's recorded songs ran the gamut from traditional folk music and blasphemous grass to blues, early rock & revolve, punk rock rock rock-and-roll, and in conclusion even enchantment music. At the aLT of their long touring career it was possible to hear music by the Carter Family, Iggy Pop, Monk, Mississippi John Hurt, the Misfits, and Slayer, all in the course of one concert congeal. They tapped into a base of music fans wHO could revalue a mongrelized euphony, exclusively the by and by stages of their life history showed that "Americana" could be a musical category as limiting as any other; the band's more and more experimental mindset resonated only intermittently with the preferences of fans of traditional music. The Bad Livers' instrumentation was unique inside the pop/rock realm: lead story isaac Merrit Singer Danny Barnes played banjo, guitar, and resonator guitar; Mark Rubin played bass voice and bass horn; and in later 1996 the two were linked by Bob Grant on mandolin, guitar, and tenor banjo. Grant replaced Ralph White, wHO played fiddle and Cajun and Mexican piano accordion with the triplet. Both Rubin and Barnes grew up with bluegrass music, and that genre label was as liable for the Bad Livers as was any other. Rubin, elevated in rural Oklahoma, began performing sousaphone as a child and continued his studies into senior high school day, when he likewise began playing sea bass. Rubin as well heard klezmer music in his juvenility, and the soundprint of the klezmer banding would turn audible in the music of the Bad Livers. The mathematical group was formed in 1990, correct after Rubin had attended the New Music Seminar in New York and was divine to put together his possess banding; it consolidated with an ad hoc Danny Barnes Trio, which actually consisted of Barnes plus whatever other musicians he was able-bodied to raise on the sound on whatsoever given evening. The Bad Livers gained widespread attention from Austin clubgoers in 1991 and became the star of the SXSW euphony conference the following year. They signed with the Chicago-based Touch & Go tag, cathartic Delusions of Banjer (1992) and Horses in the Mines (1994). Another recording, Dust on the Bible, was originally sold on cassette at the trio's live shows and was later issued on CD by Touch & Go under its Quarterstick depression; it was a collection of bluegrass-gospel standards that showed that the group could spiel it straight when they so desired. The Bad Livers touched to the North Carolina-based Sugar Hill tag for Hogs on the Highway (1997) and 1998's Diligence and Thrift, the latter album produced by longtime Texas euphony gadfly Lloyd Maines. Each subsequent expiration broadened the trio's musical range, and Blood and Mood, which appeared in early 2000, was an unclassifiable mixed bag of bluegrass, punk, sampling of various kinds, and other electronic techniques. The record album was alternately hailed as a masterpiece and denounced as the last step in a long perfidy of traditional bluegrass; the group's web site drily noted that it was "to date the worst merchandising title in the catalogue." By that time Barnes and Rubin had both become involved with solo projects of their possess; Rubin was the euphony supervisor for Richard Linklater's film The Newton Boys, and Barnes, wHO had stirred to Washington state, had composed music for the Seattle Symphony Orchestra. After Blood and Mood, though the Bad Livers ne'er formally dissolved, the private members' solo projects took precedency. Barnes released several left-of-center banjo albums passably redolent of the Bad Livers' early real, while Rubin remained a secureness of the Austin live-music and recording scene.

Mp3 music: Dreams Come True

Artist: Dreams Come True: mp3 download    Genre(s):  Pop: Japan Pop     Dreams Come True's discography:      And I Love You    Year: 2007    Tracks: 13      Diamond15    Year: 2004    Tracks: 15      LOVE UNLIMITED    Year: 1996    Tracks: 12 The world-class Japanese pop grouping, Dreams Come True looks to be one of the few really Asian acts possible of widespread popularity in the Western human race, and the triad make no misunderstanding that that is one of their aspirations. Vocalist Miwas Yoshida, influenced by Ella Fitzgerald and Sarah Vaughan piece ontogenesis up in Hokkaido, was singing computer backup vocals with a Tokyo group when she met freshwater bass musician and producer Masato Nakamura. The group came together in early 1988 with the addition of Yoshida's longtime supporter Takahiro Nishikawa on keyboards, and afterwards more than a year of rehearsals and recording, Dreams Come True released their self-titled debut album. It sold over one jillion copies in Japan, and its follow-up Love Goes On (released octad months by and by) more than dual the sales of the debut. Each of the subsequent 6 albums, from 1990's Curiosity 3 through 1997's Sing or Die sold at least two trillion copies, and fifth record album The Swinging Star (1992) became the best-selling album in Japanese account, at over four one million million million copies and tally. Dreams Come True decreased their workload over 1992-93. Nakamura remained busy, though; he composed the music for several picture games, including Transonic the Hedgehog, and released a solo album, Hikari Original Album Tracks. Dreams Come True came back with a hankering for connecting with Western audiences: the triplet collaborated with Maurice White (Earth, Wind & Fire) on the individual "Wherever You Are," and recorded a song for the soundtrack of the animated photographic film The Swan Princess. Miwa's 1995 solo album Beauty and Harmony featured such American musicians as Jai Winding, Michael Brecker, David T. Walker and Ralph MacDonald. A limited shrink with Virgin Records to congeal up a sub-label (Virgin/DCT) for increased Western distribution introduced Dreams Come True's ninth proper album, 1997's Whistle or Die. Despite doing well in Asia as expected, the trio failed to move Western audiences as hoped.

Mp3 music: Juan Luis Guerra

Artist: Juan Luis Guerra: mp3 download    Genre(s):  Latin Pop Other Latin: Dance     Juan Luis Guerra's discography:      La Llave De Mi Corazon    Year: 2007    Tracks: 13      Festival Vina Del Mar 2006    Year: 2006    Tracks: 15      Para Ti    Year: 2004    Tracks: 11      Encuentro    Year: 2002    Tracks: 15      Coleccion Romantica Cd2    Year: 2001    Tracks: 10      Coleccion Romantica Cd1    Year: 2001    Tracks: 10      Ojala Que Llueva Cafe    Year: 2000    Tracks: 8      Mudanza Y Acarreo    Year: 1999    Tracks: 8      Grandes Exitos    Year: 1999    Tracks: 17      Areito    Year: 1999    Tracks: 12      Ni Es Lo Mismo Ni Es Igual    Year: 1998    Tracks: 11      Fogarate    Year: 1994    Tracks: 12      Bachata Rosa    Year: 1991    Tracks: 10      Mientras Mas Lo Pienso    Year: 1986    Tracks: 9      El Original 4.40    Year: 1984    Tracks: 8      Bachata    Year:     Tracks: 4 In his native Dominican Republic, merengue wiz Juan Luis Guerra is considered a poet and musician of the hoi polloi. He and his band 440 ar much loved passim the Latino world and he has turn one of the new wave of artists creditworthy for for revitalizing the tropical music that had been languishing during the tardy '80s from ham and deficiency of innovation. Guerra is the logos of a professional baseball player and grew up side by side to the National Music Gallery. As a teenager, he was influenced by the Beatles and by the music of the U.S. hipsters. Initially, he taught himself the basics of guitar playacting, just after taking a contest, accompanied the National Conservatory on a scholarship. One of his instructors then helped Guerra catch into the esteemed Berklee College of Music in Massachusetts and the many genres of jazz. In time, he constitute he lost his native Dominican Republic and so returned to experiment with blend local African-influenced music, folks songs and jazz with his group 440. The ring takes its list from the universal joint tuning traffic pattern of the A note, 440 Hertz. The name was chosen by Guerra's comrade José Gilberto wHO victimized to sit and catch them rehearse. One day he commented that they seemed so haunted with staying in perfect melody that they should call themselves that. Their debut album, Soplando, made little shock. For their future efforts, Mudanza y Acarreo and Mientras Más Lo Pienso Tu, Guerra and 440 began adding merengue and lightning-quick riffs of "perico ripiao," and suddenly constitute success with a cy Young crowd tired from hearing the same quondam thing. The new music, called "bachata-merengue," presently north Korean won considerable acclaim in the Dominican Republic. The mathematical group was selected by their government to represent the nation in the International Music Festival of OTI, the Oraganization of Iberoamerican Television. In 1988, Guerra and 440 had one of their biggest hits, Ojalá Que Llueva Café, which became the third best-selling album in Latin America. That year he mixed-up his lead vocalizer, Maridalia Hernández, wHO left to act on her solo career in Europe, leaving Guerra to turn the new lead vocalizer. In 1991, he released Bachata Rose which became a smash hit passim the Americas and won Guerra his low Grammy in the U.S. The album was particularly popular in Los Angeles and before long Guerra and his ring were touring. His future album, Areito, caused argument in the Dominican Republic for oral presentation tabu against social injustice that the urgently pitiful felt Guerra had never personally experienced. Still, he mustiness be given credit for his serious-mindedness and interest in improving things in his oft-troubled homeland. Musically, Guerra changed directions again for his 1995 crusade Fogaraté. This album corporate more of the progressively democratic African soukous music. It became quite popular. His 1998 loss Ni Es Lo Mismo Ni Es Igual garnered Guerra three Grammys for Best Merengue Performance, Best Tropical Song for "El Niagara en Bicicleta," and for Best Engineered Album at the low annual Latin Grammy Awards in fall 2000.

Big Fuzz

UZEB

   
Artist: UZEB

   Genre(s): 
Other
   

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Discography:


   
 World Tour 90 (CD 2)

   Year: 1990   
Tracks: 6


   
 World Tour 90 (CD 1)

   Year: 1990   
Tracks: 7


   
 UZEB Club

   Year: 1989   
Tracks: 8


   
 Noisy Nights

   Year: 1988   
Tracks: 9


   
 Live In Europe

   Year: 1988   
Tracks: 9


   
 Between The Lines

   Year: 1985   
Tracks: 8


   
 Fast Emotion

   Year: 1982   
Tracks: 9

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A three-piece jazz/fusion grouping from Canada made up of bass, guitar, and synthesizers, Uzeb's musicians are selfsame talented players, making the music supra medium for this style.

Jay-Z To Mock Noel Gallagher During Glastonbury Performance

US rapper Jay-Z will open his headline slot at the Glastonbury Festival later with a recorded message from Noel Gallagher, it’s been reported.



The rapper will broadcast the Oasis guitarist’s controversial statement in which he said that it was “wrong” for hip-hop music to feature at the festival.



Gallagher, who made the comment earlier this year, was one of a number of artists to speak out about Jay-Z’s booking.



In a bid to avenge the guitarist, the Sun reports that Jay-Z has secured the rights to the interview and will broadcast it when he takes to the stage.



Jay-Z's booking has also been blamed on the festival failing to sell out for the first time in ten years. He has revoked the criticism, however, calling it "ridiculous".



On hearing the rapper’s plans for tonight's show, Gallagher said: “Blaring Out? I fucking doubt it very much.



“There aren’t enough speakers. Well, I guess it will make the first five minutes interesting.”



Are you looking forward to Jay-Z’s set? Let Gigwise readers know by posting a comment below.



Become a member of Gigwise and your comments will appear automatically.

CLICK HERE for pictures from the opening day of this years Glastonbury Festival.

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Mischa Barton Kicks It to the Curd

Not everyone can have the firm and taut body of a hot, young 22-year-old Hollywood starlet -- not even Mischa Barton!

Ms. Barton, 22, showed off some leg while standing on a NYC street this weekend.






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• Gately ‘unhappy’ in Boyzone’s early days
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Al Jarreau

   
Artist: Al Jarreau

   Genre(s): 
Jazz
   Jazz: Contemporary Jazz
   Jazz: Funk
   

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Discography:


   
 Accentuate the Positive

   Year: 2004   
Tracks: 11


   
 All I Got

   Year: 2002   
Tracks: 11


   
 Tomorrow Today

   Year: 2000   
Tracks: 11


   
 The Best of Al Jarreau

   Year: 1996   
Tracks: 17


   
 Tenderness

   Year: 1994   
Tracks: 12


   
 Heaven and Earth

   Year: 1992   
Tracks: 10


   
 We Got By

   Year: 1990   
Tracks: 9


   
 This Time

   Year: 1990   
Tracks: 9


   
 Look to the Rainbow (Live)

   Year: 1990   
Tracks: 12


   
 Live in London

   Year: 1990   
Tracks: 8


   
 L Is for Lover

   Year: 1990   
Tracks: 10


   
 Jarreau

   Year: 1990   
Tracks: 9


   
 High Crime

   Year: 1990   
Tracks: 10


   
 Heart's Horizon

   Year: 1990   
Tracks: 12


   
 Breakin' Away

   Year: 1990   
Tracks: 9


   
 All Fly Home

   Year: 1990   
Tracks: 9


   
 Glow

   Year: 1988   
Tracks: 9

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The only vocalizer in history to net Grammy Awards in ternary different categories (jazz, pop, and R&B, severally), Al Jarreau was born in Milwaukee, WI, on March 12, 1940. The boy of a vicar, he earned his first playing receive singing in the christian church choir. After receiving his master's arcdegree in psychology, Jarreau chased a vocation as a social worker, but eventually he decided to relocate to Los Angeles and try his mitt in testify business, playing small clubs throughout the West Coast.


He recorded an LP in the mid-'60s, merely for the most part remained an unknown, not reentering the studio for some other ten. Upon signing to Reprise, Jarreau resurfaced in 1975 with We Got By, earning herald for his sophisticated brand of vocalese and victorious positive comparing to the likes of Billy Eckstine and Johnny Mathis. After 1976's Glow, Jarreau issued the undermentioned year's Look to the Rainbow, a two-disc live set that reached the Top 50 on the U.S. album charts. With 1981's Breakin' Away, he entered the Top Ten, marking a match of hits with "We're in This Love Together" and the title track. After recording 1986's L Is for Lover with manufacturer Nile Rodgers, Jarreau scored a strike with the theme to the popular television system computer programme Moonlighting, simply his mainstream pop success was on the wane, and subsequent efforts like 1992's Heaven and Earth and 1994's Tenderness establish greater success with grownup contemporaneous audiences.


A string of budget compilations and original albums hit the shelves at the end of the 10, only into the turn of the century his original output signal slowed downward. That was until he signed with the Verve/GRP tag in 1998 and reunited with manufacturer Tommy LiPuma. LiPuma had produced Jarreau's ostensible 1975 debut, We Got By, and the pairing seemed to invigorate Jarreau, world Health Organization went on to acquittance leash starring albums under LiPuma's direction, including 2000's Tomorrow Today, 2002's All I Got, and 2004's Stress the Positive. 2006's Givin' It Up, recorded with George Benson, was nominated for trinity Grammy Awards -- each one for a different song.